Fights IT
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- Trial & Error
- Creative Industries sterilise creativity
- Urban vs Rural phenomenon
- Autonomy vs Institutionalisation
- What are the Creative Industries?
- Economic impacts of Creative Industries
- Glasgow 1990
- Regeneration of Bristol’s docks
- Networking
- Story of Creative Factory in Rotterdam
- Taking your ideas seriously
- New model of culture
- Pros & Cons of culture-speak
- Public Involvement
- Drivers of change in Glasgow
- Liverpool’s decline and regeneration
- Idea of alternative cultural spaces
- Liverpool 2008
- Local alternatives
- Continuity of strategies
- Investment by the City of Liverpool
- Creative Ecology around Watershed
- Maribor as European Capital of Culture
- Social integration of Graz
- Rotterdam 2001
- Continuity with the spirit of Graz
- Challenges of Liverpool 2008
- ECOC projects - Opportunities and expectations
- Economic self-sufficiency vs public interest
- Impacts of Graz 2003
- Rotterdam’s cultural policies and their impact
- What is Creative Factory Rotterdam?
- Creative Industries make places more attractive
- Economic impacts of Liverpool 2008
- Social dimensions of the Graz 2003
- Social impacts of Liverpool 2008
- Impacts on Rotterdam’s deprived south
- Transformation of Liverpool’s cultural institutions
- What is culture-led regeneration?
- Decline of coalmines in the Ruhr
- Concept of Creative Industries
- East London as a creative cluster
- Ruhr’s support for the Creative Industries
- East London festivals
- Principles of government support
- Value added by the RUHR.2010
- Models of success
- What is BOP Consulting?
- Cities on a global stage
- Beyond the creative industries
- End of the creative industries
- Europe vs World
- Creativity & Innovation
- Testing potential to create innovations
- Value of culture in the West
- Metelkova autonomous centre and the community
- Role of the Tower Hamlets local authority
- Creative Industries and the financial crisis
- Creative Industries and the ECOC projects
- Large cities vs Smaller towns
- Turkish wedding businesses revitalised the city
- Dortmund U
- Zollverein mine
- Industry supporting cultural projects
- Story of PROEKT_FABRIKA in Moscow
- Paper factory worker = Culture centre worker
- Non-commercial culture centre in Moscow
- Culture policy in Moscow
- A38 as a multicultural meeting point
- Creativity Zentrum in Bilbao
- Improving the quality of life in the district
- ECOC project vs future development of the city
- Year and a half without any spaces
- Sources of income of A38
- The city program in Guimarães
- Interzona as a member of TEH
- Widest range of activities in Spain
- Creative industries as a part of the ECOC project
- Creative industries can push economy forward
- Cooperation of A38
- Way you manage expectations of people
- Participation of A38 in significant cultural events
- What is Creative city making?
- Media Evolution
- Creative entrepreneurs vs. Cultural entrepreneurs
- Generator Sverige
- Consulting for entrepreneurs and politicians
- Creative economy
- Importance of Perception
- Creative Industries in Europe
- Networking in Media Evolution
- Regeneration of Malmö
- Aarhus 2017
- Measuring creativity of a city
- Key factors of successful development
- Need for inter-sector cooperation
- Empty words?
- Made Festival
- Challenges of the Grand Paris
- Verkatehdas
- Business support by Creative Sheffield
- Working with(out) politicians
- Industrial heritage of Sheffield
- Culture and creative industries in Hämeenlinna
- Process of design and planning of urban changes
- Music industry of Sheffield
- Half you can plan, other half you have to live
- Digital Industries in Sheffield
- Forming good image of Hämeenlinna
- Did anyone ask people?
- Changing Landscape of Support System in UK
- Enterprise Culture in Sheffield
- Long-term projects vs four year term politics
- CU2030 restores Utrecht
- East-West Cyclist Connection
- What is MitOst?
- Creating a Vision for Utrecht
- MitOst supports youg activists
- Funding Framework of MitOst
- Our children are growing up together with the city
- Evolution of The MitOst’s Strategy
- Success Story from Russia
- We give homework to politicians
- Who invests in Utrecht?
- What is The Cable Factory?
- What is the creative incubator?
- Creating the city
- How we went for Guggenheim Museum
- Challenge for emerging economies
- Municipality vs Government
- Companies are happy in here
- Did Guggenheim Museum change Bilbao?
- Questions that will lead you to money
- Frank Gehry won
- Culture centres as stores and boutiques
- Urban planning in Helsinki
- What is the future of European culture?
- I believe in lively cities
- Setting up Suvilahti
- Let’s pull the factories down
- Finnish support of non-institutionalized culture
- Story of Village Underground
- Village Underground runs three companies
- Story of Melkweg
- We are only 7% dependent on grant money
- We rely on our commercial activities
- Melkweg is in TEH from the beginning
- Is Melkweg part of the creative industry?
- We work with local people
- Where the money comes from?
- How to set up a cultural centre?
- Downside of gentrification
- Story of ufaFabrik
- What is Engine Room Europe?
- What is Innovation Insights Hub?
- ufaFabrik works in three directions
- Where is the attention to human being?
- What is the difference between arts and culture?
- Why the ufaFabrik still exists?
- How can arts make business?
- History of cultural industry
- Unfair distribution of cultural funding
- We catalyse networking
- German support for culture
- ECOC or Marketing Cities in Europe?
- What does it mean to be sustainable?
- ufaFabrik works for the neighbourhood
- Story of Fatima Mansions
- Downside of creativity
- At the end of neoliberalism
- Who is Ragnar Siil?
- Story of Meet Factory
- What is Linnalabor?
- Haushalten operates with 4 models
- Tallinn 2011
- Sources of income of Meet Factory
- We preserve buildings
- Networking of Linnalabor
- Sources of income of Linnalabor
- What is the Skype Effect?
- Role of digital technologies in Estonian identity
- Music Department of Meet Factory
- A.I.R. Department of Meet Factory
- Positive thing about Tallinn 2011
- Creative Industries in Estonia
- Story of Participatory Planning in Saue
- Role of E-government in Estonia
- Young people in creative industries
- Funding of Meet Factory
- Meet Factory is a recognizable brand
- Reinventing Estonia
- Can culture change the cities?
- What is reSITE festival?
- How does reSITE work?
- What is Aparaaditehas?
- Setting up Aparaaditehas
- Cooperation with City of Tartu
- Story of NOASS
- NOASS is not only a venue
- Regeneration of Leipzig
- Halle14 started with the conference
- Halle14 is a very dense art center
- What is the second stage of reSITE?
- Active creating of better cities
- Aparaaditehas want to be a host
- Role of networking
- Business model of Aparaaditehas
- Regeneration of Karlheinestrasse
- Sources of income of Halle14
- NOASS participated in Riga 2014
- NOASS earned its recognition
- Story of Arts Printing House
- Digital Single Market
- Delirium Studios in Bilbao
- Economy of Arts Printing House
- Arts Printing House in TEH
- Artistic Interventions
- BilboRock in Bilbao
- Lithuanian Cultural Policy
- Ale kommun
- Creative Industry in Lithuania
- Story of Uzupis Art Incubator
- Cultural funding in Slovakia
- What is A4?
- Start of Uzupis Art Incubator
- Sources of income of Uzupis Art Incubator
- Uzupis Republic
- Begging for financial support
- What is the value of community of A4?
- Creative Spaces Project